In its essence, photography is static and silent. It subtracts sound and movement from everything it captures. But in photofilms, the editing process adds sound, music and language to the photographs; the static images begin to move, even to dance. This program reveals how illusions of movement are created: From stasis to movement, from rhythm to animation.
Hybrid and Superimposition / Sabine Höpfner / Germany / 1997/98 / 6 min
At One View / Paul de Nooijer, Menno de Nooijer / Netherlands / 2005 / 7 min
Salut les Cubains (Hi There, Cubans) / Agnès Varda / France / 1963 / 30 min
Very Nice, Very Nice / Arthur Lipsett / Canada / 1961 / 7 min
Capitalism: Child Labor / Ken Jacobs / USA / 2006 / 14 min
Pas de repos pour Billy Brakko (No Rest for Billy Brakko) / Jean-Pierre Jeunet / France 1983 / 4 min
Hold / Dryden Goodwin / United Kingdom / 1996 / 4 min
De Tuin (The Garden) / Dan Geesins, Esther Rots / Netherlands / 1999 / 11 min
alternative compilation of this program included the following films :
Der Besenbinder, der Fotograf und der Koch / Franz Wisenten / Germany / 1997 / 10 min
Copyshop / Virgil Widrich / Austria / 2001 / 12 min