Photo Animation Intro
Photo film animators already consider in advance which meaning the movement of the film images will make as they seek out and discover the sense in motion. The fact that the illusion of movement arises in the viewer's mind and not in the external reality is absolutely fundamental to cinematic perception. No initiating movement exists in animated film; animators assemble individual snapshots and arrange them lengthwise in a sense of becoming which utilizes a device of recognition in such a way, that they continuously present what kind of movement should arise in the heads of the viewers. Rather than reproducing the illustration of movement, movement itself is created and produced.
